Dr. Zhivago (1965)

Dr. Zhivago falls into the "epic" category.  It's long--about three hours--, and it takes place during World War I.  I wasn't sure what to expect from this story.  I knew it was a love story, and I knew it took place during Bolshevik Russia, but beyond that, I had no idea.  I knew it was one of my mom's favorite movies.

It was nominated for Best Picture that year but lost to The Sound of Music.

I didn't like it.

Okay, I didn't entirely not like it.  Just overall.

Before I get into what I didn't like about it, let me give you a brief synopsis.  The story follows a young woman, Lara, who is raped by her uncle (by marriage) and then drawn into a weird incestual relationship with him.  She was engaged to be married to a young man named Pasha, who was working with the Bolsheviks for revolution.  She finally breaks ties with her uncle by shooting him and wounding him and marries Pasha.  In the meantime, Dr. Yuri Zhivago, who was orphaned at a young age, meets Lara and feels pity for her situation.  Later, they end up working in a hospital together, and Lara desires that Yuri not have to lie to his wife about their relationship, and she maintains a purity in their relationship, though it is obvious that Yuri longs for her.

Moscow becomes dangerous, and Yuri moves his father-in-law, wife, and son out to the country.  Yuri finds out that Lara lives in the nearest town, Yuriatin.  He meets her at the library, and their affair begins.  For some reason, Lara's scruples have disappeared.  Yuri continues meeting with her.  His wife, Tonya, is pregnant with his second child (his first was a son, Sasha), yet he goes to Yuriatin to see Lara anyway.  On the way, he is taken captive by the Reds and forced to be their medic.  He eventually breaks free and returns home.  He finds Lara and his belongings, but his family is gone.  He doesn't try to repair things with his wife or reunite with his children.  Instead, he lives with Lara and her daughter, Katya, until the political situation forces him to send them away to safety.

And now for my rant...

I am sick to death of films where people cheat on their spouses in the name of "true love."  It's annoying.  This film, which was quite racy for 1965 (especially standing next to The Sound of Music in Oscar nominations!), follows the age-old deception, "If it feels good, do it."  Never mind who you hurt in the process as long as YOU'RE happy.  And, we, as an audience, are supposed to applaud and hope that Yuri and Lara will be together--because they are in love.

Forget Yuri's wife.

Forget his children.

Forget that he abandoned them to go meet his mistress.

Forget Lara's husband, even if he was a crazy.

Forget her daughter.

And I'm supposed to fall into line and say, "Yuri and Lara forever!!!"

What kind of man abandons his family?

Not one that I will cheer for, most definitely.

What kind of woman cheats on her husband--the one she made vows to?

Not a woman I want to be like.

One of the interesting themes of the movie that Dave pointed out was that the Reds were stealing people's private lives--forcing communism, requiring that all people share everything.  And yet, Yuri, this poet with "subversive lines," retains his private affair with Lara and lives a secret life.  One man who was chained on the train to Yuriatin told the others in the boxcar that he was freer than all of them because the Reds couldn't take away his thoughts.  It's true--you can be forced to live a certain way outwardly, but no one dictates your inner life.

I'm just sad that Yuri and Lara chose to please themselves rather than serving their families.  Their sin robbed them of true freedom and left them alone in the end.  Many liked this film for the "love story" element.  If the message was about true freedom, I think Yuri and Lara are sad and miserable people, enslaved to their own desires and not free at all.